“An Inescapable Voice on “Black Messiah” by Taylor Ho Bynum, The New Yorker, Jan 21, 2015
After more than a decade of near silence, rumors, and rampant speculation, the elusive soul singer, composer, and multi-instrumentalist D’Angelo dropped “Black Messiah” on December 15th. The album was both an unexpected gift and a timely political statement that was well-received in many corners of a hungry music world. As Sasha Frere-Jones wrote in […]